SCHIAPARELLI
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SCHIAPARELLI HAUTE COUTURE FALL WINTER 2024 “Cézanne started with all the tricks and then he broke the whole thing down and built the real thing. It was hell to do.”— Ernest HemingwayBy March of 1932, Elsa Schiaparelli’s reputation was already made: a shape-shifting entrepreneur, she blurred the lines between fashion and art and life and art. A glorious enigma, she was (depending on who you asked) elusive or scandalous, shocking for her freedom, her lack of inhibition, and her apparent inability to care about convention. As her close friend Salvador Dalí said of her, “No one knows how to say Schiaparelli, but everyone knows what it means.”Nine years later, for the opening gala of the Ambassadeurs restaurant in Paris, Schiaparelli wore a gown painted by Dunand, with a coq-feathered stole smartly wrapped around her shoulders. It was an homage to the great ballerina Anna Pavlova, who had died that same year, and for whom, with her short black hair and sharp features, Schiaparelli was often mistaken. But if Pavlova was always associated with her iconic performance in “The Dying Swan,” then Schiaparelli was a phoenix, a magical creature whose power lay in her ceaseless ability to reinvent—not only herself, but fashion, too.The context of this collection, which honors Elsa’s singular gift for rebirth, is second only to its form. Each piece is clear in its silhouette and its technique: you can see every look’s origins, how each moved from sketch to study to fabric. As well, each look here is meant to elicit some type of emotion, albeit—to paraphrase Hemingway—an emotion that is deeply controlled. Each gown, each bustier, each shoe, every piece of folded velvet feather, or triple organza spike, seeks to catch the eye and hold it. The larger design, too, is meant to arrest but also to some extent mystify, to keep its secrets.That larger design is the continuously expanding universe of Maison Schiaparelli. I was told recently that “People don’t buy Schiaparelli, they collect it.” That kind of devotion is inspired only by a unique relationship between client and creation. This is what makes Haute Couture so special: it’s an expression of my vision for the Maison today, one free from marketing and merchandising. But it’s also something else: a way for me to honor that relationship, one of the most intimate ones in the world—the one in which I give women the power to be reborn, again and again and again.- Daniel RoseberryVideo Titre ProvisoireMusic Ben Brunnemer.
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Sushant Shankar
Marketing Intern @ Laclos Paris | M2 MSc Fashion, Design and Luxury Management | Content Creation | Communications | Public Relations | Customer Service
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Still mesmerised by this collection and its inspiration. Daniel consistently merges his vision with Elsa’s to create an unforgettable spectacle! ✨
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Ferfans 3D
Fashion designer,3D designer,Digital fashion designer,Clo3D and Marvelous designer,ILets,3D Max designer
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it was fantanstic✨✨😲
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SCHIAPARELLI
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See AlsoThe art of movement: Daniel Roseberry kicks of Paris Couture Week with a collection in homage to prima ballerina Anna Pavlova at latest Schiaparelli Haute Couture showHaute Couture AW24: Your guide to fashion’s wildest, most lavish showsUnveiling Schiaparelli's Line of Artistic Bags And AccessoriesDaniel Roseberry Pays Tribute to Elsa Schiaparelli in The Phoenix- Report this post
Schiaparelli https://theimpression.com"This feels like a collection Elsa Schiaparelli might have witnessed in a fleeting dream, or a psychic message transmitted to Roseberry by ghosts of the past – and it’s a stunning way to kick off the Fall 2024 couture season."THE BUZZWORDSCinematic. Phantasmagoric. Surreal. Sculptural.
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At Schiaparelli, Hope With a Side of Feathers elle.com"Someone recently remarked toDaniel Roseberry,“People don’t buy Schiaparelli, they collect it.” That comment crystallizes the fashion fanaticism so many acolytes feel towards the house. And surely many collections will be enriched by the haute couture collection Roseberry, Schiaparelli’s artistic director, unveiled today in Paris.His starting point was very close to home: house founder Elsa Schiaparelli and her ability to endlessly reinvent herself. Specifically, he looked to one of her most memorable looks: a feathered ensemble she wore in the early 1940s, in tribute to the late ballerina Anna Pavlova and her signature “dying swan” performance. That idea of a phoenix rising from the ashes resulted in the title of the collection, and several looks that mimicked the bird’s plumage."
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Schiaparelli Fall 2024 Couture Collection vogue.com"The 1950s are regarded as the acme of haute couture, and turning his eye to that time is a signal of Roseberry’s ambitions. He said he wanted to “show the elasticity of the brand, and also the range of what I think I can do and the ateliers can do.” Indeed, together what they can do is quite stunning. Like the show-opening cape, with the broad shoulders of an eagle—or a phoenix, which was the show’s mascot, Schiap being so good at reinvention, Roseberry explained—with silver lozenge embroidery arranged to look like gleaming feathered wings."
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THE PHOENIX Schiaparelli Haute Couture Fall/Winter 2024 by Daniel Roseberry “Cézanne started with all the tricks and then he broke the whole thing down and built the real thing. It was hell to do.”— Ernest Hemingwaystylist Marie Chaixcasting Piergiorgio del Moromakeup Pat McGrathhair Guido Palaunails Cam Tranfilm Titre Provisoiremusic Ben Brunnemerproduction Villa Eugénie.
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SCHIAPARELLI HAUTE COUTUREBY DANIEL ROSEBERRYMONDAY 10 AM, PARIS.
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Divine Rihanna in a white silk faille skirt carrying the Schiaparelli Haute Couture baby by Daniel Roseberry for The Perfect Magazine.Photographed by Rafael PavarottiStylist Jahleel WeaverEditor-in-Chief Katie Grand.
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Schiaparelli’s Seaside Pop-up in Monaco Features Sailor Stripes, Crab Claw Earrings and That Iconic Lobster https://wwd.comThe Paris-based fashion brand is opening a temporary boutique at the Hôtel de Paris Monte-Carlo in Monaco on Saturday, featuring a day-to-evening wardrobe tailor-made for the French Riviera. The 1,075-square-foot space on the patio of the hotel, considered a jewel of Belle Époque architecture, will carry creative director Daniel Roseberry's Spring/Summer 2024 Ready-to-Wear, accessories, shoes, jewelry and leather goods, including a selection of exclusive creations. The brand has only five retail points of distribution, including its salon at 21 place Vendôme and shops-in-shop at Harrods department store in London; Bergdorf Goodman in New York City, and the Neiman Marcus flagships in Dallas and Beverly Hills.
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From 21 place Vendôme to the French Riviera.Schiaparelli’s summer residence in Hôtel de Paris Monte-Carlo on Place du Casino in Monaco is now open!The interior draws inspiration from the history of 21 place Vendôme, and the surrealist codes of the house. The sofa and the carpet are embroidered with hand-drawn sketches byDaniel Roseberry, the pedestals are decorated with the signature measuring tape, and the custom furniture in Schiaparelli Gold has surreal details in the shape of ears, eyes and lips.The ephemeral boutique is open from Monday to Sunday 11 AM - 7 PM.#Schiaparelli
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ICON IMAN ON THE COVER OF INSTYLE MAGAZINE IN SCHIAPARELLI HAUTE COUTURE BY DANIEL ROSEBERRY#Imanwears a camel suede bomber embroidered with silk satin dressage knots, a pair of off-white double satin pants with embroidered flowers made of rhinestones, sequins and rope, and a clear acrylic dome tube necklace covered withSwarovskicrystals.Photographed byAB+DMStylistJason Rembert.#Schiaparelli
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