Visualising the impossible has been one of the great drivers of development in film for over a hundred years, leading to more and more convincing evocations of the future. All kinds of things we now associate with sci-fi can be traced back to silent comedies – invisible men, robots, gigantism, miniaturisation, cryogenics, anti gravity devices, rockets and space travel, aliens, psychic powers and of course, timetravel.
Mister Moon (1901)
Night has fallen and the moon rises but all is not what itseems!
In this very short film the actor Percy Honri becomes an ukelele-playing moon, which formed part of a musical show. It was probably made as an advertisem*nt for a live performance. We see Honri’s face as a man in the moon with a tiny drawn-on body with fingers for dancing legs and miniature ukulele. The moon rises, plays and dances and then setsagain.
Another version of this film was found in the Mitchell and Kenyon collection. This was taken from a negative that may have been intended to be processed very dark to hide the tears in the black cloth through which the head appears. Otherwise the two films are verysimilar.
A Trip to the Moon (1902)
Man’s first trip to the moon – in1902!
France 1902
Directed by George Méliès
Production Company Star-Film
Running time 8 min
CertificateU
Widely considered to be the first ever sci-fi film, A Trip to the Moon is one of cinema’s most celebrated treasures. Georges Méliès was a special effects pioneer who made use of innovative camera trickery and plenty of imagination. The story, a fusion of H.G. Wells and Jules Verne novels, follows a team of astronomers who make an exploratory (and extraordinary) trip to the moon on a rocketship.
Full of classic imagery, from the chorus girls loading the space gun to the rocket landing in the man in the moon’s eye, this enchanting film exquisitely showcases cinema’s unique ability to depict thefantastical.
The ? Motorist (1906)
A speeding car takes its passengers on an out-of-this-worldjourney…
UK 1906
Directed by W.R. Booth
Production Company R.W. Paul
Running time 3 min
CertificateU
An early road movie of sorts, this film opens with a couple in a car not only refusing to stop for a traffic policeman but then driving over him! An out-of-this-world chase ensues as the car, pursued by the policeman, scales a building, flies through the air and then leaves the earth’s atmospherealtogether.
W.R. Booth was a stage magician turned filmmaker, whose hand-drawing techniques pointed the way towards animated cartoons. His taste for fantastical imagery echoes the work of fellow illusionist Georges Méliès – the grinning moon a definite nod to Méliès’ Frenchfantasy.
Five years later, Booth would make The Automatic Motorist (1911), a virtual remake of The ‘?’ Motorist, but on a biggerscale.
